The novel was published in 1960, just before Senegal became independent. It is show up on a famous railroad strike which occurred in 1947-48. The novel focuses on the late stages of cut colonialism. Sembene writes a prominent and compelling story about the strike. He also uses it to tie economic, political, and cultural points, as well, in support of Senegals struggle against the French and labors struggle with management. The novel will front familiar in form and style. That is, its a realist-didactic, strike novel that utilizes Western techniques. It is a political novel. The narrative is direct and sequential. The novel may see long, but its a relatively easy and good read. It has a cinematic quality in its emphasis on eyepiece imagery, setting, and action. The opening descriptions of start (Bamako) and person (Niakoro) are typical. So is the set-up for Thiès: The City on page 13. Note, as well, how the narrative seems to genus Pan the market put down on pages 15 an d 16. The large modus operandi of characters and the way of life the setting moves from place to place may salute any(prenominal) difficulty, but theyre fairly simple to sort out. The represent helps with places. qualification lists of characters associated with from from each one one town helps, as well. The action takes place in several locations (an interesting filmic term)--primarily in Bamako, Thiès, and Dakar.
The map at the beginning shows the locations and suggests that the story is about a whole inelegant and all of its people. There is a large cast of characters associated with each place. Some are featured players--Fa Keita, Tiemoko, Mai! mouna, Ramatoulaye, Penda, Deune, NDeye, Dejean, and Bakayoko. Others part of the populace. You could say that the primeval conflict is captured in two people, Dejean (the French manager and colonialist) and Bakayoko (the psyche and... If you want to get a full essay, order it on our website:
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